Entropy – MIST
Melbourne Immersive Sound Theatre
in association with Mycellium Studios
11-13 March, 2026.
Four spatial events presenting a range of electroacoustic compositions and live performances; walk, sit and listen across 3 hour programs of spatial sound works on the speaker orchestra.
Mycelium Studios: 12 Moreland Road – Factory 1 10 Brunswick East,
Installation Mode
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Wednesday 11 March, 12.30pm-3.30pm – free entry
Open workshop and listening session – key works from previous SIAL Sound Studio and Design and Sonic Practice Research Group projects (see Friday program for list of works). An opportunity to spatial electroacoustic works, observe preparations and talk to key MIST members.
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Thursday 12 March, 2.30-5.30pm – free entry
Open workshop and listening session. Join students and staff from SIAL Sound Studios, RMIT University as they investigate MIST and listen to spatial sound works on the system. Also an opportunity to observe preparations and talk to key MIST members.
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Friday 13 March, 4pm-7pm – free entry
A 3 hour program of spatial sound works commissioned by the Design and Sonic Practice Research Group at RMIT, and produced and presented previously by SIAL Sound Studios. These works explore space, environments and sound composition across a range genres from electroacoustic music.
Current works and start times. Subject to changes and additional works to follow.
Program
Soft Body Death Highway (2022) – Meri Leeworthy – 4:00 pm – dur 20:00.
The Hoddle Grid (2023) – Jeffrey Hannam – 4:20 pm – dur 30:00.
Temporal Passage (2024) – Jasmin Wing-Yin Leung – 4:50 pm – dur 08:02.
she finds her self in a body of water (2024) – Jane Sheldon – 4:58 pm – dur 12:00.
Model Kit: from Symbiosis (2002, remastered 2026) – Lawrence Harvey – 5:10 pm – dur 08:00.
Nebsphere: from Symbiosis (2002, remastered 2026) – Lawrence Harvey – 5:18 pm – dur 08:00.
Refractional: L’eau Bleue & Worship (2024) – Charlotte Leamon – 5:26 pm – dur 15:51.
Significant Roadside Area (2023) – Kyla Brettle– 5:41 – dur 19:27.
Patterns of Self-Organisation (In swarms) (2022) – Joseph Callaly – 6:01 pm – dur 21:00.
Soundscape Diffusion – Rosalind Hall – 6:22 pm – dur 40:00.
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PhD Opportunity – ARC Project Noise to Signal – closing midnight, 12 March 2026
Expression of interest close midnight 12 March, 2026. Commence June 2026 to 2029 – see full description here
Scholarship – $39,206 per annum (2026 rate), 4 years.
Email a copy of your CV and academic transcripts to Associate Professor Lawrence Harvey lawrence.harvey@rmit.edu.au.
Successful applicants will then be invited to make a full PhD submission via the RMIT Higher Degree by Research process. For further information see https://www.rmit.edu.au/research/research-degrees
EoI Application deadline: 12 March 2026
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